Stash Bohemian Bedroom

Bohemian Bedroom

Bohemian Bedroom – Have Fabric, Will Decorate!

Mom, I am moving into an apartment at college.  Can you help me decorate it?

Oh, yes.  Yes, I can.

Have Stash, Will Decorate.

Second Hand Beauty

Second Hand Beauty

The desk, chair, and chest of drawers were second hand.  We painted them with two greys.  She added a “punch of color” with touches of bright raspberry and turquoise.

She wanted “Bohemian.”

She selected the main fabric.  It would be used as the bed skirt and pillows.  All other fabrics would build upon the color scheme of her selection.

The selected Boehmian Fabric

The selected Bohemian Fabric

To minimize costs, the zippers and “stuffings” from the pillows made for her dorm room were reused.  With one exception, all other fabrics were from the Stash.  All pillows were sewn using this same zipper installation method.

The yellow/white made two European sized shams.   I was actually able to center the design on the front (not that a college student would ever notice!)

The grey/yellow trellis fabric had been used to cover her chair seat.  The leftover made a smaller pillow.

Bohemian Mandala Pillow

Bohemian Mandala Pillow

Nothing says Bohemian like a Mandala-like print.  I purchased 16″ of the fabric to get one usable Mandala.  Small accents of turquoise embroidery were added.  The navy fabric used to frame the Mandala was left over from this quilt.

All Fabrics Pillow

All Fabrics Pillow

To tie the diverse (AKA: Bohemian) fabrics together, all the fabrics were included in a pieced pillow top.  A few other Stash Fabrics in the color scheme completed the fun pillow.

The grey bubble-looking fabric in the All Fabrics Pillow is actually her sheet set.  It came in a bag made of the same fabric, so the triangles were simply cut from the bag!

She has other Bohemian ideas – beaded curtains under a cornice board???  All fun, but not really doable from 1500 miles away.

So finishing the room might require another decorating trip!

Posted in Beginner Sewing Projects, Dorm Room Decor, Home Decor, Modern, Sewing for a Teenager | Tagged , , , , , | Leave a comment

Destashification Climbing Leaves Scarf – Free Pattern

Leaves a'Falling Scarf

Climbing Leaves Scarf

The opportunity to knit presented itself over the last few days, so I was able to finish up a scarf I had been working on.

The center section of the scarf is a Destashification Modification of a large leaf pattern that I have always been drawn to.

Destashification Knitting requires “resting” purl rows, Twist Stitches and a few simplifications so as to be frustration-free knitting.

The Stash contained some Cascade 200 Superwash in a beautiful green heather (Color N. 867) that was perfect for the leaf pattern.

The resulting pattern (included below) creates a gorgeous 9.5″ wide by 72″ long scarf that would be appropriate for any knitter considered an advanced beginner (or beyond.)

 Scarf with Pattern Detail

Scarf with Pattern Detail

The stitch patterns on either side of the center leaves are very simple.

The pattern stitches from edge to edge are shown in the photo to the right:

The stitch patterns were purposefully selected to allow even a beginner knitter to knit this scarf perfectly – and wear it or gift it with pride!

Detail of stitches

Detail of stitches

The reverse garter stitches (all purl) formed by Stitches 1-2 and 26-27 of the Large Leaf Lace settle to the background to highlight the leaf shapes. By using purl stitches the Destashification-required “rest rows” are created (Rows 1-2 and 11-12 of Large Leaf Pattern).

The simple 2 sts. Twist prevents the “sagging stitches” that can occur when bringing yarn from front to back during the transition from knit to purl stitches.

LTL = Love those Leaves

LTL = Love those Leaves

The little leaf panels add a bit of lace to the edges in a simple 4 row repeat.

The scarf requires approximately 600 yards of worsted weight yarn.  Because 220 Superwash was used (it is slightly lighter than worsted), this scarf was knit on size 6 needles.  If substituting a more typical worsted weight yarn, the pattern would require a size 7 or 8 needle.

Pattern: (Please read NOTES below prior to casting on)

Cast On:  Using needles appropriately sized for your yarn, cast on 57 stitches.

Seed Stitch End:

Start first row with Seed Stitch Chart (right side).  Continue K1, P1 across all stitches.

Start second row with Seed Stitch Chart (left side).  Continue K1, P1 across all stitches.

This is the closest to the actual yarn color - an heathered dark green.

The side panels are the closest to the actual yarn color – a heathered dark green.  The pink/red on the center Large Leaf panel was imparted by the camera.

Knit these two rows for a total of 10 rows.

Patterned stitches:

Following charts (scroll down), work Row 1 of the following:

Seed stitch – right side (5 sts), Twist (2 sts), Little Leaf Lace (7 sts), Twist (2 sts), Large Leaf (27 sts – which is really 25 sts because of the 2 No Stitches), Twist (2 sts), Little Leaf Lace (7 sts), Twist (2 sts), Seed stitch – left side (5 sts).

Continue following charts until scarf is desired length ending with Row 2 of Large Leaf pattern.


The seed stitch end sections will knit slightly wider than the Patterned section of the scarf.  If comfortable with increases, I would recommend casting on 53 stitches for the scarf and working the 10 rows of Seed Stitch on those 53 stitches.   Work 4 increases in Row 1 of patterned section (57 stitches).  After completing the patterned section of the scarf, decrease 4 stitches in the first row of final seed stitch end section (53 stitches) , and work the 10 rows of seed stitch across those 53 stitches.

The Large Leaf pattern forms puckered looking leaves as it is knit.  Do not despair.  They will block flat.

If not familiar with lace knitting, I would suggest knitting one Large Leaf Motif as practice prior to casting on the scarf.  The P2 togethers may seem clumsy at first, but are quickly mastered.

Placing a stitch marker as shown in the Large Leaf graph is a great help when working the “Purl” rows.  After missing the “Purl 2 togethers” more than a few times and having to ravel back, I started placing the markers as reminders. Then I did not forget to work the P2tog’s anymore (OK, so I still forgot a few times.)

The 2 stitch twist can also be accomplished with a cable needle as follows:

  • Place 1st stitch onto cable needle and hold in front of work.  Knit next stitch.  Knit stitch from cable needle.

I knit 41 Large Leaf motifs to create a scarf that is 6 feet long.  Your knitting gauge will most likely be different (knitting gauge doppelgangers are rare!) Knit to your desired length.

Clicking on the charts below will enlarge them.

Knitting Charts for Scarf

Knitting Charts for Scarf

Key for Knitting Charts

Key for Knitting Charts


Scarf during blocking

Scarf during blocking


Work 10 rows of Seed Stitch.

Cast off.

Block.  Weave in ends.

Posted in Accessories, Beginner Knitting Project, Free Knitting Pattern, Lace Knitting | Tagged , , , , , | 7 Comments

The Jetson’s Dress

The Jetson's Dress

The Jetson’s Dress

Sewing a dress for my son’s wedding “required” practicing with a few muslins.  This one was the first – just to see if the pattern would fit sans adjustments.

Vogue 8764

Vogue 8764

The pattern seems almost tunic-like, which I did not want, but the empire waist and the cup-size options appealed to me.

The Jetson’s Show used the same ovoid shape in its “futuristic” setting. Here it is used to create trees, the planter and lights.

Among the treasures in the Stash are some-not-so-valued pieces of fabric.  I choose one such fabric – a polyester chiffon that spoke to me of mid-century modern due to the “orbit” or ovoid shapes included in the print.

That orbit shape started  in NASA logo – very space-age and futuristic at the time.

If anyone remembers the Jetson’s show, it repeatedly used those shapes.

“Polyester chiffon” is another term for “difficult to cut out, ravels easily and requires a lining.”

The pattern was modified to be sleeveless, and have a wide scoop neckline –  and it took less than 2 hours to sew.

Love the cup-sized patterns! 

It fit without adjustment!

It was originally sewn without a zipper (thus the 2 hours) as it was a muslin and was not intended to really be worn.

Jetson's Dress

Jetson’s Dress

However, upon completion, my family decided the dress deserved to be worn, so after completion of the wedding sewing, an invisible zipper was retrofitted and the dress hemmed.

Invisible zipper detail

Invisible zipper detail

The method of invisible zipper installation in a lined garment that I use is all machine stitched and creates a very finished look, inside and out – in about 20 minutes!

1.  Sew one side of zipper to right side of back  (just the fabric, not the lining) using a regular zipper foot.  Machine baste about 1/4″ from zipper tape edge.

2.  Close zipper.  Align any waistline seams and the zipper top.

"Zipper Sandwich" Note position of top zipper tape end.

“Zipper Sandwich” Note position of top zipper tape end.

Pin and machine baste near seams and top to secure alignment.

3. Open zipper and machine baste as for first side of zipper.

4.  Close zipper and check waistline seam alignment.

5.  Using invisible zipper foot, seam both sides of zipper close to zipper teeth.

6.  Flip lining so the zipper is sandwiched between right side of fabric and right side of lining.

"Zipper Sandwich" from lining side.

“Zipper Sandwich” from lining side.

This forms the “Zipper Sandwich.”

7. Using zipper foot, stitch close to zipper teeth.

8.  Turn right side out – Done!

Invisible Zipper Detail - Lining Side

Completed Invisible Zipper Detail – Lining Side

A finished zipper – inside and out – in less than 20 minutes!

The dress is very light – even with the lining (cotton/polyester leftovers) so has already been worn.  With sandals it is a nice casual alternative!

Posted in Beginner Sewing Projects, Clothing | Tagged , , , | 2 Comments

Stash Couture Styling: Wearable “Muslin”

A Very Wearable "Muslin"

A Very Wearable “Muslin”

Prior to cutting into the silk dupioni, one needs to be sure the selected pattern will fit.  Making a “muslin” or “practicing the pattern” to identify any fit adjustments and design options is a necessity.

The fabric for this “muslin” was to be stretch, because stretch fabrics tend to fit better – even when the fit is not quite right!

Stretch linen is one of my favorite fabrics.  The Stash contained an apricot colored multi-yard piece that I have longingly viewed numerous times.  However,   it.  is.  plain.

Plain apricot color. 

Plain and Lace Overlay.

Plain and with Lace Overlay.

It needed something.

Stretch lace over the linen would add that special touch and still, well… stretch!!  Unfortunately, The Stash does not contain any stretch lace.

McCalls 6953:  A Cup-Sized Patternm

McCalls 6953: A Cup-Sized Pattern

Armed with coupons, I found a mocha/black stretch lace at the Fabric-Store-that-will-not-be-named.

The pattern is McCalls 6953.  It is a cup-sized pattern!  I love the fit of the cup-sized patterns!!!!

Lace over Linen - both stretch!

Lace over Linen – both stretch!

I was not sure of the rounded neckline and as this was a “practice dress,” I wanted to determine if lowering the back neckline slightly affected the fit.

I also wanted to determine if a pleated skirt was a viable option or if it would add unwanted bulk.

As I sewed the last skirt panel together, I noticed two HUGE HOLES in the linen!!! These were 4″ long and 1″ wide.  And there was not enough fabric left to recut the piece!!!

Pleats - center seam and "topstitching" of inner folds.

Pleats – center seam and “topstitching” of inner folds.

However, because of the lace overlay, I could piece the underlying linen and the patch was not visible at all!

Stretch fabric does not always fold well.  To ensure the pleats would remain “crisp,” prior to releasing the basted pleats, the inside folds of each of the pleats were sewn very close to the edge – much like topstitching.

The muslin served its purpose well.  It helped me decide the final dresses for the wedding should have V-necks rather than rounded necklines.  The shorter length would be appropriate for the rehearsal dinner, but not the wedding ceremony.  Pleats are doable – as long as they are sewn down 3″ – 4″ from the waist.   And best of all, the cup-sized patterns actually fit – the first time – with just minor adjustments!!!

There are two barbeques scheduled the week of the wedding.  I think I will wear this Linen and Lace “Muslin” to one of them!





Posted in Clothing, Sewing, Stash Couture | Tagged , , , , | 1 Comment

Stash Couture Styling for the MOG

MOG-Stash Couture Styling

MOG-Stash Couture Styling


A lot of fun AND a great opportunity for Stash Couture Styling!!!

For the wedding, a MOG dress in a border print silk chiffon, lined with silk dupioni.  The jacket is the same dupioni, self-lined.  All fabrics from The Stash!

Vogue 7963

The jacket is Vogue 7693, a design that includes all the elements this MOG requires in formal wedding attire:  Timeless, elegant, sophisticated, NOT matronly or “age-appropriate”,  and most importantly – comfortable.

Butterick 5982

Butterick 5982

The jacket is a Very Easy/Very Vogue.  Experience has taught the “Very Easy” can be misleading, but in this case, it was true.

The jacket body was lengthened two inches.  The dupioni was interlined in quilting cotton.  The portrait collar is stunning!

MOG Stash Couture Dress

MOG Stash Couture Dress

The bodice of the dress is Butterick 5982, sleeveless and V-neck. Love the Cup-Sized Patterns!!!

The skirt is self-drafted (translation:  pleated rectangles to accommodate the border print!)

The colors of the bridesmaid’s dresses are a very muted pink (MOH) and grey.

Silk chiffon

Silk Chiffon

This silk border print has a bit of the pink and a grey ground.  It also has a bit of green, yellow, brown and rust – all very muted.

Zipper requiring careful hand basting - right side print was 1" longer than left!!

Zipper requiring careful hand basting – right side print was 1″ longer than left!!

This fabric has been in The Stash so long I cannot remember even what decade I purchased it in!  But it is perfect for this wedding!

Sewing with the silk chiffon was not as easy as with the dupioni.  Spray starch was used to add sufficient structure to be able to pleat the skirt.  Matching the print at the center back zipper was a challenge – one side was 1″ longer than the other!!!

Total Costs: Less than $20!

  • Dress:  $10 for bodice pattern ($2), zipper ($4) and spray starch!
  • Jacket:  $9.50 for pattern ($5) and pin ($4.50).






Posted in Clothing, Sewing, Stash Couture | Tagged , , , , , , | 4 Comments

Silk Dupioni Tunic

Silk Dupioni Top

Silk Dupioni Top

The Stash contains some beautiful fabrics – including yards and yards (and yards) of silk dupioni.  I went through a “Silk? Gotta have it!” period.

One piece of dupioni was just over a yard of an almost iridescent lightweight silver/teal weave.

The Stash also contained a sheer woven damask with the same muted teal and some gold.

A “top of some style” was needed to wear to a Bridal Shower.  By combining the two fabrics and two Vogue Patterns (5891 and 9062) a new favorite top was sewn.

Vogue 9062 - Bra Cup sized tunic pattern

Vogue 9062 – Bra Cup sized tunic pattern

Love! Love! LOVE! Patterns that are bra cup sized!  Such an improved fit!  Vogue 9062 is one such pattern.

Dupioni Top

Dupioni Tunic – it fits!

It is just a simple tunic pattern, but fits so much better than a tunic pattern that requires  modification.

The length and shape were cut from the 9062 pattern.

The collar and front closure were taken from Butterick 5891, a Tilton Top that I have used and used and used.

Damask Collar

Damask Collar

The inner collar, armhole and front facings were cut from the sheer damask.

The inner collar is attached by topstitching “in the ditch” of the outer collar binding and again along the lower edge of the inner collar.

Collar Topstitching

Collar Topstitching

The selected buttons were recycled from an old jacket.  They were the perfect color and size

SIde View

Side View!

Silk dupioni is luxurious, but requires care when sewing.  Microtex machine needles were perfect for the fine weave of the fabric.

To prevent fraying, all seams were serged or french seamed – or both!










Posted in Stash Couture, Sewing, Clothing | Tagged , , , , | 2 Comments

Fit and Fabulous T-shirt Remake

Original Old Navy Men’s T-shirt

It started as an Old Navy men’s XXL T-shirt.  The Cerulean Blue color caught my eye – and the $6 price tag sealed the deal.

Fit and Fabulous T-shirt Remake

Fit and Fabulous T-shirt Remake

McCall’s 6747 was used for the Fit and Fabulous T-shirt.  After cutting apart the XXL tee, there was more than enough fabric to add 1″ to the length of the t-shirt version (View A).

McCalls 6747

The McCalls pattern has some shaping in its center back and side seams.  To ensure a comfortable fit, bust darts were also added.

Scrap Cottons and Stash Buttons

Scrap Cottons and Stash Buttons

The placket and neckline were sewn with scrap woven cottons from The Stash.

As knits can be difficult to tame, I choose to exert my independence from pattern instructions and stitch the placket bands to the front prior to cutting the opening.

Shaped Back Seam - with matched stripes!

Shaped Back Seam – with matched stripes!

Unfortunately, the same trick could not be used on the neckline – and it S T R E T C  H   E    D ……

But it was nothing stay stitching (slightly gathered) could not handle.

Love the colors – and the comfort!

Note about deconstructing ready-made garments:  It is always surprising how “off center” and “off grain” the garment pieces will be.  This is especially evident when working with striped fabric.  Because of this, it is best to select the ready-made item several sizes larger than the intended finished garment.






Posted in Stash Couture, Sewing, Sewing for a Teenager, Repurpose, T-shirt remake, Clothing, Scrap Couture | Tagged , , , | 2 Comments